I’m Just Ken wins Best Song at critics choice award.

but Ryan Gosling couldn’t have done it without Greta Gerwig, Margot Robbie and American Ferrara.

Ryan Gosling reacting to the news at the CCA January 2024

The 2023 blockbuster Barbie revived Cinema, set TikTok Trends and soundtracked our 2023 . It had us singing, dancing and crying all in one sitting.

Personally ‘I’m Just Ken’ sits pride of place in my frequent plays on Spotify, it is also one of the few songs I can proudly play on piano and I completely understand and truly believe it is deserving of the award. However not everyone shares this view and after seeing his reaction to the award perhaps Gosling himself  is amongst those on TikTok that do not think it was worthy of the win. Adversity to the award choose to highlight h the cruel parallels  between the meaning of the Barbie and a song about a man complaining he is not the protagonist in a woman’s story, arguing that ‘I’m just Ken’ , a song produced by a man, sung by a man, wining this award is considerably quite ironic. Perhaps they have a point and that is fine, I just don’t agree.

I’m Just Ken scene from Barbie July 2023

Dance the night away’ by Dua Lipa and ‘What was I Made for?By Billie Ellish (Both from Barbie) were also nominated with many arguing that they should have won for the sole reason they were sung by a woman,  personally the gender of the writer behind a song should not factor whether it is a success, its success should be measured by its popularity, its relevance to the film and its resonance with the audience and although what was  I made for hits bulls eye, it was I’m just ken that had us bouncing, revving us up for a workday, creating kitchen dance routines and filming TikTok’s.

Fuel to this fire was poured earlier last week when host of Golden Globes Jo Koy made a pretty low-brow and rushed joke at the origin of the film comparing it to Oppenheimer which was ‘base doff a 721 paged Pulitzer prize winning book about the Manhattan project and Barbie is on a doll with big boobies” a childish and sexist reduction to what Gerwig’s creation actually depicts, its complexities too deep and expansive to cover in what is meant to be a music review… although Gerwig herself has offered a sympathetic response saying ‘well he’s not wrong she was the first doll mass produced with breasts’

Access Hollywood Jo Kay Golden Globes Speech 2024

‘I’m just ken’ allows Barbie’s ‘love’ interest a voice, giving him a narrative in a film that is supposed to be about female actualisation, empowerment and self discovery. It not only allows him power over his won story allowing him to just be ken rather than Barbie and Ken but also demonstrates how many men also struggle with their own identity, their own emotions rarely being taken seriously. it is his redemptive arc, allowing viewers to empathise with I’m, for that is the true definition of feminists, creating equality between men and women to better the situation, 

Produced by Mark Ronson and written by Andrew Wyatt ‘I’m Just Ken’ is a modern masterpiece, with 80s influences. On the surface a fun throw away song, an excuse for a comedic choreographed dance break and for Gosling to show-off his range. The whole weight of the song is in its own inability to take itself seriously, the duo paired with visuals becomes a distracting display of thoroughly refined dance moves taking away the attention from how ken is truly feeling, detached from reality, alone in his feelings and powerless in the face of an overshadowing figurehead for his own society, it is a truly feminist anthem. 

Murder on The Dancefloor Waltzes its way back to Chart Top Spot.

Sophie Ellis-Bextor’s Return to the Charts

Sophie Ellis-Bextor Murder On The Dancefloor

Sophie Ellis-Bextor’s 2001 hit, “Murder on the Dancefloor,” has made a resounding comeback, thanks in part to Emerald Fennell’s 2023 gothic and glorious film, ‘Saltburn‘ .The film, featuring Barry Keoghan and Jacob Elordi, has propelled the colourful track back to the number 8 position, over two decades after it reached number 2 upon its initial release.

The groovy track, “Murder on the Dancefloor,” delves into the themes of tumult, jealousy and doing what you can to set the groove with similar semantics being discussed in ‘Saltburn’ it is fitting that this song would soundtrack its final scene. Depicting a disturbing dialogue about desire, deceit and the class divide ‘Saltburn’ has quickly become a cult classic with Gen Z and millennials coming together to show their love for both the film and the track in a slew of viral TikTok’s.

“Saltburn”-themed videos featuring the track have amassed an impressive 4 billion views on the app. The track also experienced a significant surge in streams on New Year’s Eve 2023, with 1.5 million streams in a single day. Furthermore, in the first week of January, “Murder on the Dancefloor” claimed the top trending spot on The Hot 100, marking its first appearance on the list.

Perhaps this musical miracle holds a motto we should carry into 2024: we may plant seeds in the day that will only grow at night- Bextor herself put it poetically in a Newsnight interview earlier this month “You have to be open to the unexpected, and you can’t plan what happens next”.

Dubinski- release Downtown Operation

Get to know the band of brothers a bit better whilst enjoying their latest track.

Dubinski

Dubinski are back with their latest track, Downtown Operation. After releasing their debut album ‘Dubinski’ in 2022 the brand of brothers have recently released another energetic track to add to their ever intriguing repetroire.

Downtown Operation Dubinski 2023

Downtown Operation, fast paced and free feeling, this song boasts an optimistic edge that makes you feel as though you are soaring away from everything, getting out without missing a breathe. Estatic, you escape adversity with a smile on your face. With its electronic feel, you imagine yourself plugging into something surreal, full of synthetic sounds and digital beats, this track feels futuristic whilst still being familiar but that is just the beauty of their instrumentals whilst the lyrics unveil something deeper, more sinister that would have you running but certainly not with a smile on your face.

Inspired by politicians who are blind to reality, this song offers a satirical edge, a refection of racial profiling, police brutality. It is a forewarning, the sound of despair, a lighthouse to the terrors of the world but no one is turning the torch on, too scared of what they may see.

Lets review the journey that took them to this release; their self-titled debut album, Dubinski, showcased in 2022 is an eclectic audio tour of the band’s buoyant feeling, their ability to discuss darker topics whilst keeping the crowd bouncing with their high energy and altruism.

Dubinski Debut Album Tour:

Track One: Soothsayer.

Soothsayer Dubinski

If you could see the future would you live your life differently to try and change fate? Would this power prevent you from living in the present? Dark spirited and unsettling this song offers a gothic hand through the bands disinticnve indie feel. Arguably seeing the tone for the debut album.

Track Two:Gotta Get Out Of This Place.

We are all trying to get out of ‘this place’ but where are we trying to end up? All the weekends we live for end up the same, stumbling out of the same local and into a different bed, waking up with a banging head being sick at the things you said.

Dubinksi are colour engine of sound and eccentricity, a fusion of creativity and the bizarre. The shape of their sound is massive as they pull us up and over ourselves.

The album focus track ‘Gotta Get Outta This Place’ is rooted in their hard-working studio dynamic, with their producers Mike and Robbie pushing Eugene to record his vocals more than 20 times before the
perfect take emerged.

Beyond Me Dubinski 2022

Track Nine: Beyond Me

Upbeat and optimistic this track is evocative of the band’s high energy live performances. A kaleidoscope of better days.Making the most of each moment and living for it. Making the sun shine when your days are full of storms. The opening is very brit pop infused with the riff taking me straight into the foamier hold of Blur’s parklike, making beyond me a sure favourite for the summer festivals.

Dubinski

Track 12: Fall Right In The Grave

Grief, the devastating notion that things will be how they always were, conversations become monologues and potential is frozen, once we were forever fearing change now praying for it this track is all about coming to terms with death but feeling wounded and angered by its inevitability.

Taken as a whole, Dubinski’s debut album is a shattering, cathartic experience. It’s a record
fuelled by brotherhood, by loss and by the empowering impact of communal emotion.
More than anything else, it’s a launching point, a marker of the sheer will that has dragged
Dubinski from the Highlands of Scotland out into the world.

“I sometimes wonder what
the hell we would be doing if we didn’t have this band,” drummer Eoin muses. “It’s the
umbilical cord that keeps us all together”.

Eoin


Their fast-phased, alt-rock and visceral live sets has landed them an increasing set of accolades including praises from BBC Radio Scotland, Scotland On Sunday and Record Of The Day, a nomination for ‘best newcomers at the Scottish Alternative Music Awardsand they have also performed on some of th biggest stages in the country and the UK including T in the Park, Wide Days and
Liverpool Sound City.

They have supported Indie Powerhouse, The Lottery Winners and Iconic alternative punk rockers Everclear, with another large tour starting next year it is no surprise these indie rockers are taking listeners by storm. More information here.