The Last Dinner Party: My Lady of Mercy

“With a momentous magnitude and a siren sound it is no wonder The Last Dinner Party have reached such heights.”

The Last Dinner Party – Photo: Cal McIntyre

Feminine rage, feminine love, the mercy it means to be a woman. Chew on us and we will be thankful for the touch, passive to it’s pain. We are expected to endure, our lives an eternal endeavour. Constrained by societal expectations, we are bound to maintain a facade of indifference, as if ‘Nothing Matters’. Yet, deep within our souls, the anger simmers, the fire of resilience burns, combating the persisting notion the prehistoric. This palpable sensation resonates profoundly in the latest offering from the musical ensemble The Last Dinner Party, aptly titled song ‘ My Lady of Mercy’.

Like a composition from the renaissance, the music brims with grandiosity and intricacies. Each note dances and weaves together, painting an evocative portrait of the multifaceted feminine experience. In its graceful melodies and elegantly crafted lyrics, we find solace and validation for the emotions that stir within us. Indeed, the duality of feminine existence is a truth woven intricately into the fabric of this masterpiece. It encapsulates the essence of our longing, our battles, and ultimately, our triumphs amidst a world that often seeks to diminish our power.

The Last Dinner Party

Made up of Aurora Nishevci, Georgia Davies, Lizzie Mayland ,Emily Roberts, and Abigail Morris, the girls met during Freshers’ week at university and started to host gigs in South London. This lead to their discovery after a video of them performing was uploaded and a cascade of record artists got in touch asking to represent them.

Inspired by the saints and martyrs of yesteryear, the women in paint on golden plaques held high, Anne Boleyn, Mother Mary, the woman with a broken toe and a distant gaze on the bus, your best friends mother and your co-workers sister. We are surrounded by a mosaic of muses. This is an unconventional love song, unfettered from expectations here love flows freely, you love these women for who they are not how they make you feel, to love is to toe the line between being selfless and selfish and this song is is a testament to this.

The Last Dinner Party – My Lady of Mercy

We have unbridled passion for people we have a bustling sense of self and we should be merciful with who we are and how we want to be . Mercy does not always mean to be soft it means to be powerful in your approach and compassionate in your delivery.  An orchestral Boudoir, The Last Dinner Party execute their songs in an ethereal way that exude gothic romanticism, leaving you entranced, euphoric but also melancholic – a sense of wanting to be a part of it, this choir of rebellion, rage and authenticity.

Despite is soft, soothing start with an enticing build up this song becomes quite a merciless sound it’s ruthless guitar and propulsive dream a tempest on the stage. My Lady Of Mercy is a piercing piece of poetry. The power, the prowess the poignancy of the premise, the alluring twang of the guitar in the penultimate verse, this song is succulent like a ripened peach plucked from a tree but beautifully bitter like a cranberry. It is ethereal and energetic ,sacred and profound, it is the sound of someone regaining control of their own narrative.

Nothing matters- The Last Dinner Party

With a momentous magnitude and a siren sound it is no wonder The Last Dinner Party have reached such heights. Despite only releasing their debut single, the hedonistic and harmonious “Nothing Matters” earlier this year in April the quintet have already had a major U.S Tour and with their debut studio album, a ‘Prelude to Ecstasy’ set to release January 2024, this storm is making the world their stage.

“‘My Lady of Mercy’ is about being a girl,” the band explained. “A girl looking up at a painting of Joan of Arc for the first time and thinking that she looks so brave and so beautiful that she wants to kiss her. And maybe she also wants to kiss the girl who stands next to her in the school choir.

For me, the song is about being brutal, showing the blood and the guts it takes to create a smiling face. It is a bit tears and laughter, choking on spit throwing fights just to get hit, its about feeling it all in order to feel alive. It is the rain and the thunder tearing your home asunder. It is about, getting hurt and hurting, healing and forgiving and doing it all wrong when you’re trying to do it right, Ultimately, it is a celebration of our shared humanity.

When I think of the Last Dinner party I think of Ophelia  immortalised by John Stuart Mills, of Catherine The Great, Kristen Dunst as Marie Antoinette and the remarkable  Mia goth in X. I imagine stories full of poisoned love letters, lipstick on tongues and smeared on fingertips, people wearing each others messes and mending them into masterpieces. Seeing the all female quintet live was like being invited to a party you never meet the host of, you leave fulfilled but later on discover a gaping ache burning in your insides, the longing to be a part of something as powerful as them, which is why we are all invited to their’ Last Dinner Party.

Tickets for their upcoming UK tour are available here.

Explore another world with the ‘Drawing Wings From The Light’ EP released by CIRCE.

An ethereal ode to escapism and a transcendent take on reality.

Circe Captured by Zak Watson

An audible tapestry of the Ethereal, Circe’s latest EP ‘Drawing Wings From The Light’ effortlessly encapsulates an otherworldly spirit. 

Drawing Wings From The Light

Embroidered with escapism, her voice offers a surreal experience, entering a dreamlike soundscape, it feels as though you’re listening to the songs with the sun in your eyes, you’re laying on the grass and you are comfortable. A future version of yourself forms as a silhouette, with indistinguishable features this shadow becomes a beacon of security and support providing welcome shade from the light, you feel solid, more human than before.

Eccentric and flamboyantly authentic this EP explores art, mythology and multi-dimensional forces, acheiving an audible experience unlike any other. Songs that feel like upturned earth after a thunderstorm, like blossoming violets in winter.

The EP started as an echo of what it would become 10 years ago when Circe was still a teenager. Witnessing the boisterous and brilliant, critically acclaimed play Jerusalem by the delectable Jez Butterworth, Circe was transported, exposed to an unexplored realm full of new selves and potential. Riot of Sunlight, the opening track to the EP was written as the first incarnation, becoming a display like ode to Jerusalem.

We are all the Universe, experiencing each other as we experience ourselves, strangers, curious strangers hoping to find a guiding light someone who will bring us back to who we are, or show us how to be the people we are meant to become. We are al mesmerised by a peaceful lake after hours int he dark wood, that once too fascinated us, a journey through the mist, we are all reaching for each other. Perhaps I too am reaching, but this EP touches on that, becoming that journey, a testament to our existence and what we all endure.

Glow by Circe

Glow offers an orchestral exploration of the soul, leaving us questioning ourselves,  we wonder what echoes  will we leave behind, if our actions define our essence what should we do and who should we listen to. Here, Circe sounds distorted, a distant voice that borderlines on disoriented with her delivery which makes it that much more divine to digest. Her humming feels like a heartbeat the driving force that guides the listener through an unravelling road she is the halo, the lighthouse we are searching for. A blend of electronic beats and reality epitomises my interpretation of her music, the ethereal fantasy and the monotonous reality, it is a cacophony of what could be, an ode to living happily.

Circe captured by Zak Watson

True to her name Circe’s songs host a certain sort of magic one may search for, for years only to find it under a fossilised pebble at the steps their town library a day after they’d giving up the journey. She is hypnotic, offering a kaleidoscope of different perspectives she shares through her sounds.

My Boy Aphrodite by Circe

A stand out track of  the EP is ‘My Boy Aphrodite’. Harmonic and deity like this song starts off as a rippling harp until an electronic sounding dagger slices through this illusion of peace and tranquilly, a strobe of reality akin to divine revelation breaking through to Circe’s captivating vocals, she is Zeus in this song commanding attention and power through her mesmerizing voice.

Aphrodite is the epitome of beauty, a beacon of sexuality. Circe discussed that her childhood best friend inspired the song; “a boy that used to wear my dresses and I would wear his suits. Both from nowhere, he saved my life, together we were goddesses, adorned in glitter and smiling faces music to the disapproval of the townsfolk.

Circe captured by Zak Watson

It’s also an ode to Bjork’s Venus as a boy a song and phrase that just blew open our baby teen world. Even though we didn’t have the vocabulary at the time, we were working through the sparkly fields of gender and queer identity questions, and the feelings we had about it all – in the safety net of a magical, surreal  Bjork song”

Experience the other world at her upcoming headline show at London’s Brixton venue the Windmill on September 21st, buy tickets here Keep up to date by following her socials.

Hilla Peer releases EP, Remind Me Who I Am.

We all have times when we need to be told who we are.

Hilla Peer

Throughout our lives there will be times when we are less than thriving, getting through the day and calling it surviving. Activites that once brought us joys are now just tiring. There are days we don’t need to stand in front of the mirror to know we look good but there are others when we sit, entranced, scrutinising every stretch mark, every line, wishing for it to change. A spilled coffee on a new skirt, a train missed with seconds to spare, a phone with no messages, does anybody care?

Sickness and anger, days lost to darkness and nights spent awake. This need to hide away, to cry uncontrollably and swear at the stars, can all be a remedy but it’s also important to step into the sun, try to see the art in the spilled mess and enjoy the time between the next train. Sometimes all you need is something to remind you of who you are and Hilla’s EP does that expertly.

Track one: Remind me who I am.

The EP is born with a soft piano ballad, soothing and romantic, a tale that navigates the feeling of doing so much and getting nowhere, the confusion of inertia in motion whilst the energetic crescendo of the chorus pulls us into reality; we are still ourselves despite our surroundings, and we can over come how disorientating life without routine can be, and then how to mange the monotony of a routine we didn’t choose, juggling the dance of identity and social conformity, learning to mould our world to fit our own needs and realising we only have ourselves to live for and who we are should be enough to get us through.

Track 2 Addiction Baby

Addiction Baby offers a contrasting upbeat feel that’s fun to dance to despite depicting the details of a toixc relationship that cements itself to your mind, fixating on one person and forgetting yourself. Characetrised by its catchy lyrics and optimistc beat this song reflects hwo many of us feel when submerged in a smothering relatiosnhip, at first we are hoepful that things will be different, yet a few months down the line we are still waiting on that promise delivery of change.

Illustrating how memories can become addictive, we replay scenarios,changing them to reflect how we wish they had played out can become a pastime, idealising certain people, that in reality are actually quite toxic, but learning to realsie this comes with time, and letting them go can take even longer. When the situation is buried it’s importnat to reflect and forgive yourself for staying.

Track 3 One of a kind

One of a Kind is an ode to self love. As one of th emost complicated strains of love, coming to terms with who we are takes practice. We tend to perceive most of who we are through the eyes of others, our parents, lovers, bosses, and friends,who we are rides upon how they see us. We find ourselves asking them how we can be better, what they ecpect from us and how we can exceed this, exhausitng oursleves to be something we are not, feeling as though we must constantly balance who we are with how we are seen and trying to fall comfortably in-between leading to a crisis of self.

Here Hilla celebrates how it is to act authentically, remaining true to your own identity, the one you have decided for yourself, reminding us that we are one of a kind. Relinquish you’re own power by telling yourself you are who you are an dif you’re ging to be anything different it is because you chose to change. This song clebrates transformation and changes and introduces a more optimsitic light to the EP.

Hilla Peer

Track 4 WHAT YOU DO

Secure in who she is this song clebrates how Hilla has grown both in all aspect so fher life, finally feeling a sense of security within who she come to be. This feeling calls for a dance track, acknowledging what you do, taking time to look at your achievements and allow yourself those days when you’re feeling down. This track encourages the listner to keep on going, doing what they’re doing and refusing anyone that tries to hold them back.

Following on from the attitude in One Of a Kind this song reminds us that when it feels like no one is there you, you have yourself and you are more than enough. You’re leading your own life, taking pain and triumph in your stride. The upbeat instrumentals explore a dancey narrative, a sure fire way to get you ready for your morning commute, or meeting those exercise milestones this song is all-about what you can do and learning to love yourself for it all.

Hilla Peer

Track 5 Focus on you

This song has a very noughties, Kylie Myongoue vibe to it that’s both lively and reflective, you’ll find yourself dancing through your emotions. Life is contant and there is always someone else to be thinking o, you may be a parent with a partner, with a friend’s brihtday to plan and school dinners to make, a house to clean and work emails to answer , most days you manage it all without so much of a nod of gratitude but htere are days when the workload is too much, you’re fed up and you’ve had enough, it’s time to find time for yourself, with the kids in bed and the brithday card sent it’s time to focus on you, relive your youth.

Stick this track on and have a sing along, take time to remember who you are and forget your surroundings, be grounded and present with who you are, forget who you are trying to be and who you were, be with yourself how you are now and feel at peace.

Track 6 Unless

The EP ends in surrender, allwoing you to lay down your weapons, putting away the sword you have been busy sharpening your sword only to find you were preparing for the wrong battles, too busy trying to carry other people’s weight. Sometimes the war is worth it, emotions need to be expressed and situations need to be solved but what’s the point in wasting your energy if it falls on deaf ears. Fight the battles for the person you want to make peace with. Orchestral and empowering this song gives in to love, allowing us to be who we are with the people that appreciate us in our own right, encourgaging us to exert our efforts for those who will appreciar them and doing what matters in the moment.

Keep up to date with Hilla on her socials for more reminders to be who you are even when the world is telling you to be something different.