Dubinski releases new track:New York Arizona and This

Oh where life may take us…

Dubinski by Gary Schwindt

Small Town Dreams in the Big City: The Identity of a Band on the Rise

Described as an ‘aspirational’ track by the band of brothers New York Arizona and This, this song eloquently highlights the struggles of an independent band on tour. It encapsulates the journey of striving for recognition while facing the challenges of dealing with rip-off venues and rivals. The track seamlessly fuses sentiment with a future-focused outlook, invoking a sense of homesick nostalgia and taking the listener on a hope infused tour of what the future may hold.

New York Arizona and This

Lead singer, Eugene, discussed the band’s inspiration for the track ,“driving from Edinburgh to London to play shows with no idea of what to expect. We were DIY and trying to push our touring as much as we could, only to be occasionally ripped off by venues and promoters, or playing to rooms of people that didn’t seem to give a damn about the music or the scene, to then make the long journey back home to Scotland”

We all want a journey, we all want to find ourselves in the faces of other people  and become who we ned to be , but no matter what our dreams say, where our drive takes us can always be diverted unexpectedly, leading to dazzling destinations or dead ends and disappointments. The magic of the mist cloaking the unknown the fizzle of excitement and the crumble of let down 

The juxtaposition between the quiet countryside of Scotland compared to the vibrant nights of Camden town. The bittersweet revelation that it was sort of what you expected but it could have been better. The steady chorus calls out to all the dreamers as it embodies  yearning for more, such as touring the States, attaining worldwide recognition, and transcending the DIY scene to prove their worth to the sceptics 

Dubinski – New York Arizona and This Music Video

Eugene explained this feeling as:

“Eye opening in a bittersweet way. Some expectations were fulfilled and others were brought down to earth, like the magic buzz around hip bars, meeting trendy people, the romantic notion of a city of opportunity paired with the dirty, fast paced, ‘take no prisoners’ atmosphere that comes with a big city. Leaving the DIY scene behind and proving to the unwilling, the ‘too cool to move’ scene kids, that we are worth paying attention to”

Recorded at RAK Studios in London, the band unveiled their eponymous debut album ‘Dubinski’ just last year. Seamlessly blending spiky Brit pop with punky new wave, their music has captivated a diverse audience, earning praise from Earmilk, Daily Record, and Louder Than War. Renowned for their fast-paced alt-rock and exhilarating live performances, Dubinski has carved out a distinct identity, garnering support from BBC 6music and Radio X’s John Kennedy. Their exceptional talent has garnered acclaim from BBC Radio Scotland, Scotland On Sunday, and Record Of The Day, leading to a nomination for best newcomers at the Scottish Alternative Music Awards and thrilling performances on the country’s grandest stages.

Dubinski Downtown Operation.

Small towns and big cities, your dreams gave you the drive and you find the roadmap to where you’re going to be along the way…

Read about their previous track Downtown Operation here.

And what a great track to introduce their upcoming tour, for more information click here:

02 Feb – North Shields, UK – The Engine Room

03 Feb – Stockton on Tees – Ne Volume Music Bar

04 Feb – Preston – The Ferret

24 Feb – Aberdeen – Drummonds

29 Feb – London – The Grace

01 Mar – Nottingham – Bodega

02 Mar – Glasgow – Nice N Sleazy

I’m Just Ken wins Best Song at critics choice award.

but Ryan Gosling couldn’t have done it without Greta Gerwig, Margot Robbie and American Ferrara.

Ryan Gosling reacting to the news at the CCA January 2024

The 2023 blockbuster Barbie revived Cinema, set TikTok Trends and soundtracked our 2023 . It had us singing, dancing and crying all in one sitting.

Personally ‘I’m Just Ken’ sits pride of place in my frequent plays on Spotify, it is also one of the few songs I can proudly play on piano and I completely understand and truly believe it is deserving of the award. However not everyone shares this view and after seeing his reaction to the award perhaps Gosling himself  is amongst those on TikTok that do not think it was worthy of the win. Adversity to the award choose to highlight h the cruel parallels  between the meaning of the Barbie and a song about a man complaining he is not the protagonist in a woman’s story, arguing that ‘I’m just Ken’ , a song produced by a man, sung by a man, wining this award is considerably quite ironic. Perhaps they have a point and that is fine, I just don’t agree.

I’m Just Ken scene from Barbie July 2023

Dance the night away’ by Dua Lipa and ‘What was I Made for?By Billie Ellish (Both from Barbie) were also nominated with many arguing that they should have won for the sole reason they were sung by a woman,  personally the gender of the writer behind a song should not factor whether it is a success, its success should be measured by its popularity, its relevance to the film and its resonance with the audience and although what was  I made for hits bulls eye, it was I’m just ken that had us bouncing, revving us up for a workday, creating kitchen dance routines and filming TikTok’s.

Fuel to this fire was poured earlier last week when host of Golden Globes Jo Koy made a pretty low-brow and rushed joke at the origin of the film comparing it to Oppenheimer which was ‘base doff a 721 paged Pulitzer prize winning book about the Manhattan project and Barbie is on a doll with big boobies” a childish and sexist reduction to what Gerwig’s creation actually depicts, its complexities too deep and expansive to cover in what is meant to be a music review… although Gerwig herself has offered a sympathetic response saying ‘well he’s not wrong she was the first doll mass produced with breasts’

Access Hollywood Jo Kay Golden Globes Speech 2024

‘I’m just ken’ allows Barbie’s ‘love’ interest a voice, giving him a narrative in a film that is supposed to be about female actualisation, empowerment and self discovery. It not only allows him power over his won story allowing him to just be ken rather than Barbie and Ken but also demonstrates how many men also struggle with their own identity, their own emotions rarely being taken seriously. it is his redemptive arc, allowing viewers to empathise with I’m, for that is the true definition of feminists, creating equality between men and women to better the situation, 

Produced by Mark Ronson and written by Andrew Wyatt ‘I’m Just Ken’ is a modern masterpiece, with 80s influences. On the surface a fun throw away song, an excuse for a comedic choreographed dance break and for Gosling to show-off his range. The whole weight of the song is in its own inability to take itself seriously, the duo paired with visuals becomes a distracting display of thoroughly refined dance moves taking away the attention from how ken is truly feeling, detached from reality, alone in his feelings and powerless in the face of an overshadowing figurehead for his own society, it is a truly feminist anthem. 

Murder on The Dancefloor Waltzes its way back to Chart Top Spot.

Sophie Ellis-Bextor’s Return to the Charts

Sophie Ellis-Bextor Murder On The Dancefloor

Sophie Ellis-Bextor’s 2001 hit, “Murder on the Dancefloor,” has made a resounding comeback, thanks in part to Emerald Fennell’s 2023 gothic and glorious film, ‘Saltburn‘ .The film, featuring Barry Keoghan and Jacob Elordi, has propelled the colourful track back to the number 8 position, over two decades after it reached number 2 upon its initial release.

The groovy track, “Murder on the Dancefloor,” delves into the themes of tumult, jealousy and doing what you can to set the groove with similar semantics being discussed in ‘Saltburn’ it is fitting that this song would soundtrack its final scene. Depicting a disturbing dialogue about desire, deceit and the class divide ‘Saltburn’ has quickly become a cult classic with Gen Z and millennials coming together to show their love for both the film and the track in a slew of viral TikTok’s.

“Saltburn”-themed videos featuring the track have amassed an impressive 4 billion views on the app. The track also experienced a significant surge in streams on New Year’s Eve 2023, with 1.5 million streams in a single day. Furthermore, in the first week of January, “Murder on the Dancefloor” claimed the top trending spot on The Hot 100, marking its first appearance on the list.

Perhaps this musical miracle holds a motto we should carry into 2024: we may plant seeds in the day that will only grow at night- Bextor herself put it poetically in a Newsnight interview earlier this month “You have to be open to the unexpected, and you can’t plan what happens next”.