‘Slipping Through My Fingers’ by Declan McKenna

Nothing says Christmas like a good old cry.

Declan McKenna Slipping Through My Fingers 2023 Youtube

I originally heard this song with my Mother when I was 8. We were watching Mamma Mia and mother and daughter, Donna and Sophie were preparing for Sophie’s wedding watching with Donna painting Sophie’s toenails, me not understanding why my mother wold weep during this part but joining in with eh anyway, perceiving it through the film whilst my mother watched it in reality.

Slipping Through My Fingers Declan McKenna 2023

Covering it back in 2021 over an instagram live Declan McKenna has finally realised his rendition of Abbas greatest sad song, listening to it feels like a poignant punishment, as you imagine everything that could have been if it was different compared to how it is and finding happiness in that.

With new album ‘What Happened To The Beach?’ set to be released on February 9th, perhaps Declan is easing us into his new era.Still faithful to the original McKenna’s take on ‘Slipping through my fingers’, appears softer, more raw, like an observer to a departure rather than the one being departed from. His acoustic guitar reverberating through the track demonstrates how natural this final wave is yet how disputing it can feel. There is no reassuring chorus like that seen in the film or in the original by ABBA, there is just a feeling of mournful melencholy as we try to find peace with the inevitability of adulthood and unfair farewells. We learn to forgive each other for our failures and forget all the ‘adventures we planned’ but didn’t do in the face of new forged paths that this farewell makes way for.

Declan McKenna Slipping Through My Fingers 2023 Youtube

Listening to it now, 9 years later, with a different narrator,I still think of my mum, I think of us dancing to Abba’s hits together, hairbrushes and pepper mills as make shift microphones.Our living room the Pyramid Stage as we performed ABBA’s greatest hits, steering away from ‘Slipping through my fingers’ to avoid sobbing. I sob as I watch those memories,160 miles away from her. But it is also the younger versions of myself I weep for, the realisation that time does pass and often too quickly, your early 20s split into separate lifetimes, high school feels like eons ago and although you graduated uni less than a year ago, you were surely a child then and now you have a car, a house a promotion.

It’s all happened too fast and you find yourself slipping through your own fingers along with everyone else that once held you close. Small pixels forming friends faces replace Saturday afternoons spent doing whatever teenagers do, your parents guidance cut short to a 5 minute phone call about the weather and the gas bill, these people who were once your whole world now a stranger to you, and you sob helplessly knowing there is nothing you can do.

An ode to parenthood, to growing up and saying goodbye Declan delivers ‘Slipping Through My Fingers’ beautifully.

English Teacher release ‘Nearly Daffodils’

It may be winter but there will be daffodils soon…

English Teacher-Photo Credit Tatiana Pozuelo

Art Punk tour de Force from Leeds, English Teacher, are back with their latest slice of abstract audio, exploring the brutalise of not prospering from your sacrifices.

Comprised of Lily Fontaine (vocals, rhythm guitar, synth) Douglas Frost (drums, vocals) Nicholas Eden (bass) and Lewis Whiting (lead guitar), the quartet have been releasing music under the moniker of ‘English Teacher’ since 2020. Their latest addition being ethereal “Nearly Daffodils”

Lily Fontaine explained: “‘Nearly Daffodils’ is about heartbreak and acceptance of unfulfilled potential. How, no matter how much you may want something, no matter how much effort you may put into something’s growth or development, no matter how beautiful you can envision its fruition; life is a bitch and about as unstoppable as a freight train”.

Nearly Daffodils English Teacher

Water your seeds and watch how the flowers grow. In this life, rife with hustle culture, pushing through and defying boundaries, exceeding expectations effotlessly it is easy to drown in the deluge of those all tending their gardens. You can dig, plant, care and hope but sometimes, there is frost and snow, an unstoppable obstacle in the way of letting you reap with you sow.

English Teacher delve masterfully into the agonising heartache of what may not be in ethereal track, Nearly Daffodils which boasts a radiant melody, full of optimism and wonder whilst the choppy instrumentals introduce the storm of overshadowing into the forecast. There are so many fields, how will you fill them?

English Teacher-Photo Credit Tatiana Pozuelo

How will creativity survive your own success? Look around, haven’t you got everything you wanted? Why is there so much space in a slight gap when the room is already full? That gap, that space, the size of failure, something not yet achieved, one more effort to prove yourself, but will you do it? How? When?

What happened to doing something out of true devotion rather than to keep up with someone else, a glass square on a glass screen, unseeing eyes can still feel mean. We are all so focused, so fascinating, it’s frustrating when it feels as though despite the superglue, the tape the nails and the screws, everything always comes loose. To fall is too feel and to feel is to be alive, failure is not a dead end it is a diversion, it is up to you where you go with it.

“Sometimes I want to make a home on it,

To look between the wheels I’m scared of being under.

I’ve started knitting in the mornings,

I like to hear the birds sing.”

Nearly Daffodils is the cognitive dissonance of what if and what is. It is hopeful, it is mournful ,it is humanity dressed up as an insightful indie song. It is however hard to pigeon hole into just one genre, somewhere in the haze of layered harmonies, and gritty guitar riffs this song wanders the corridors of the mind, a musical remedy for the mist. Flowing seamlessly from euphonious song to arresting spoken word, this track showcases the creative prowess of the quartet as they cartwheel over metamorphic metaphors and breakdown ballads, to produce a lyrical pool to dive into as you explore your own psyche.

English Teacher’s biting social commentary and unique musical soundscapes have certainly positioned the quartet as influential figures within the emerging indie elite.

Join them on their biggest UK Headline Tour to date:

21st Oct – Sneaky Pete’s, Edinburgh
22nd Oct – McChuills, Glasgow
23rd Oct – Cluny 2, Newcastle
24th Oct – Brudenell Social Club, Leeds (sold-out)
26th Oct – Scala, London
27th Oct – The Louisiana, Bristol (sold-out)
28th Oct – Heartbreakers, Southampton (sold-out)
29th Oct – The Hope & Ruin, Brighton (sold-out)
31st Oct – Hare & Hounds, Birmingham
1st Nov – Night & Day Cafe, Manchester (sold-out)

18th Nov – Elsewhere / Zone One, Brooklyn, NY
22nd Nov – Zebulon, Los Angeles, CA

Indie Powerhouse The Redroom, release latest single “Coffee”

Like a shot of espresso…

The Redroom by Chloe Dunscombe

What does falling in love sound like? The turbulence of a tentative trumpet player, tumultuous like the trombone? Colourful like the sax? It feels like sipping coffee on a sleep Sunday morning, like a hand waiting to catch you. there is a sense of hope, like the rising crescendo of an orchestra reaching its peak.

Coffee by The Redroom

New release from indie powerhouse The Redroom, ‘Coffee’ explores the effervescent nature of falling in love, through jazz infused instrumentals, new feelings flourish ,the fizz of that first kiss, the grip of the optimistic abyss of not knowing if it’ll happen again, it is the existing of the chrysalis you’re ready to unveil your wings again, this time hopefully they’ll be noticed.

The song itself is metamorphic, showcasing the beginnings of the band and alluding to their future. Vocalist and lyricist Jess Lewis Ward explained that she wrote ‘Coffee‘ when she was 16, during the first lockdown:

I left it in a back pocket for a few years then circled back to it when the band started to explore a different style of writing. It went through quite a few phases before the final finished product, but I feel like it encapsulates our new sound, alongside my younger self. I guess you could say it’s about young love and feeling love romantically properly for the first time.”

Known for their intricate narratives and roadmaps through humanity, The Redroom release music that boasts a poignant tale, such as their previous release The Woman From Nowhere”, ‘Coffee’ continues on this legacy with it’s complex portrayal of a first love, whilst also exploring a new avenue for the band, one that sets them out to be the on ones to watch list for 2024, especially with their Headline show on September the 1st at iconic Newcastle venue The Grove, celebrating the release of their new single.

Continuing to mesh the old with the new, The Red Room have mastered the art of creating their own multi-genre sound backed by Lewis-Ward’s talent for colourful, witty and insightful storytelling. ‘Coffee’ is the band’s first step into a form of new age indie-pop song writing, combining the likes of layered brass with the band’s signature acoustic sound.

That signature sound comes through with an explosion of energy, there is joy in each lyric, groove in each instrumental and power with leach layered harmonies all punctuated by the keyboard and the saxophone.  An eruption of emotion, evocative of the rush you feel when your hand brushes theirs, your eyes hold their stare. Exhilarating and optimistic this song is an audible coffee.

Upcoming shows 

Deaf Institute (Headline show), Manchester, Friday 29th September

Gathering Sounds Festival, Stockton, Saturday 30th September

Follow the band on social media to keep up to date with new releases and gigs.