Meet Mollie Ralph

Described by the BBC’s Dean Jackson as a “Soul Queen”, this stirring singer is one to add to your Spotify playlists.

Mollie Ralph taken by Daniel Roizer photoshoot for her EP Old Cafe 2019

Nottingham based singer songwriter Mollie has performed in some of the most musically renowned venues including The Royal Concert Hall where she supported the Gypsy Kings and Rock City as part of the 2019 Future Sound of Nottingham night.

With a vocal range that echoes that of Amy Winehouse and Paloma Faith it is no surprise that Ralph has collected a catalogue of accolades since finding her voice in 2016. Three years later she would release her debut EP titled Old Cafe, in 2020 she released a slew of singles including breakthrough track traitor which reached over 80,000 streams.

Traitor is an emotional ballad, lifted with soulful jazz instrumentals, about a relationship gone wrong. A lover’s decision to defy their foreseen future for the embrace of a temporary hand. This selfish surrender of someone else for one’s own gain stings and you can hear both the pain and rage in Mollie’s powerful vocals. Those of us who have felt this blow of betrayal realise soon enough it is not just about this other person’s decision, in once choosing to trust them you slowly betrayed yourself. Everything you had with this person everything you perceived it to be based on a forced fed false reality. You betrayed your worth for someone you can no longer see. This person you once loved died in the arms of a stranger and now stands before you with an unknown face.

Mollie Ralph Music Video Traitor 2020 filmed by Simon Stewart

This piece of poetry catapulted her to the stages of the Isle of Wight festival where she stunned crowds enough to land her extended performances on two more stages. It was here she performed her album Dealbreaker. The same titled song itself explores the narrative of too many second chances, a torrent of torture that breaks a heart enough for it to crack but to also keep coming back, the hand that holds is also the one that lets go. Love becomes a commodity instead of a meaningful exchange where both feel wealthy, one heart turns to greed, another to self-debt spending all they can to keep their so-called lover in check.

As well as developing her own distinctive style she has used her range to refresh old classics. Most recently covering Nina Simone’s 1965 I put a spell on you. Fittingly released on the eve of Halloween Mollie’s haunting vocals and mystic persona posess the bewitching narrative of the song.

Mollie RalphMusic video for I put a spell on you filmed by Jessica Ralph

Not only is her music powerful due to the strength of her voice but also due to the meaning of her message. In 2020 she performed her single Give it up, in what I am assuming is her neighbourhood, to raise money for the NHS. The music video includes faces of friends, family, frontline workers during the lockdown all lip syncing her song. As a nurse herself Ralph felt first hand the impact of the pandemic and the desperate situation of our health service. The song itself was very fitting with the poignant lyric ” I want to be your hero, when the days get rough”. The song herald’s resilience and optimism conquering all,

Mollie Ralph Give It Up

Scarfgate- Taylor Swift Explains

A new love does not want to stop, you drive through those red lights to the speed of your heart, this is a new life a new start. It’s late nights, long drives, expensive phone bills and a healthy amount of thrill. It’s candlelights and Friday nights, its smudged lipstick and painted nails, new aftershave and freshly ironed suit. It’s the nerves that bubble like champagne in a glass that you awkwardly cheers to in the hope that this will last. But soon those candles burn out, it’s the fridge light you’re dancing too, its cold and unnatural, naked in its embrace. The stifling grip of realisation pokes at your goosebump makes you think, perhaps there is some importance to a stop light.

I am of course referencing All Too Well. A short film, a directorial debut from our talented Taylor Swift. It is known this pieces reflects on the relationship Swift shared with Jake Gylenhall when she was just nineteen whereas he was 28. While fans will be aware that this scarf is quite literal, seen frequently worn by Taylor during this time, it is now a poetic piece too, representing a metaphor.

All Too Well Taylor Swift

At the Toronto International Film Festival the singer said “it’s basically a metaphor” but refrained from elaborating.

Red scarfs have been synonymous with revolutions and protest. They are also worn to provide comfort through the cold and then as a style item. Thus it could be deuced that she felt she was merely an accessory to Gylenhall, something to accessorise his outfit, his reputation with. For her this love she once shared provided great warmth, comfort a symbol of protection and care that soon become stifling, too tight to restrictive- this possession once a gift became an anchor, a restraint keeping her to him. In this film and it’s accompanying song she takes back the scarf, it symbolises her story of breaking free, the torment of heartbreak letting go and letting it be.

This of course is all unconfirmed, so what do you think the scarf could mean? Get in touch! @evolve_music_blog

Georgie Hanson releases 2am

Inventing nightmares while you should be dreaming? This song is for you…

Georgie Hanson

Georgie Hanson continuously resonates with those of us struggling with inner turmoil.Her powerful vocals are amplified by the jazz infused instrumentals. The upbeat rhythm contrast the heavy weight of her raw lyrics, reflecting that while many of us may stand strong, smile and get things done, we feel vacant inside. This unfamiliar feeling of dancing through chaos is what Hanson wishes to achieve, she says “I love writing sad songs you can dance too, whether it be about a break up or a quarter life crisis”. This song is all about crisis control when it feels you lack all sense of solidity.

We invent nightmares when we should be sleeping, you’re in an abyss which has no pit, enforced by the dying light of a once promising potential. There is no guarantee in what should be. How can we be guided when we have lost our sense of direction, our chosen path suddenly leads to a dead end and there are no diversions?

2am

The disorientation is beautifully captured in Hanson’s accompanying video to her latest single.Filmed in Glasgow the wide camera angle paired with the desolate streets and darkness reflect the isolation amplified by the vastness of a new place.Hanson worked with Glasgow based cinematographer Stuart Alexander to express how our insecurities isolate us. We feel we are drifting through this chaos watching it all unfold unable to influence the tides, as the waves inside drown us. Songs such as 2am teach us to sail the sea that settles in all of us.

For Georgie this song helped her structure the fluidity that comes with the shock of being 21, the dissonance in feeling you should have your life sorted out by now while knowing you’re still young enough. Barely an adult, yet it feels time is running out to get back on track, to get back to yourself. Hanson, now 25, explained how this song helped her retain a sense of who she was during these tumultuous years…

” I had a huge shock entering my adult years, all my life events went from having minimal responsibility to major.Writing about this experience in 2am allowed me to process the changes that I was faced with, helping me to maintain an overall sense of identity.”

With her infectious melodies and captivating vocals it is no surprise that 2AM has already received radio play from Alister Williams host of ‘That 70’s Radio Show’ leading her to a feature BBC Introducing with Hannah Fletcher. This success continues her path of colourful accolades since her debut single Roads and Paths in 2018 received over 6k streams.

Roads and Paths

It is clear there is a fruitful future for Hanson with 55 monthly listeners on Spotify and an upcoming gig at the Ranby Festival on the 27th of August. Buy tickets here.